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Author
dc.contributor.author
Gyimesi, Emese 
Availability Date
dc.date.accessioned
2022-12-12T12:42:25Z
Availability Date
dc.date.available
2022-12-12T12:42:25Z
uri
dc.identifier.uri
http://hdl.handle.net/10831/83225
Language
dc.language.iso
magyarhu_HU
Title
dc.title
Imázsképzés és időkezelés a Nyugatosok Szendrey Júlia-diskurzusábanhu_HU
Type
dc.type
könyvfejezethu_HU
Version
dc.description.version
megjelent változathu_HU
Language
dc.language.rfc3066
hun
Abstract in English
dc.description.abstracteng
To re-evaluate the figure of Júlia Szendrey and to gain a better understanding of her career, it is of great significance to reflect on the rhetorical changes, common epithets, and characteristic attributes that defined her image. This problem cannot be examined separately from the question of why the the authors of the periodical Nyugat in the early twentieth century changed their attitudes towards her as compared to nine- teenth-century approaches. This study aims to investigate this particular transformation. It primarily seeks to answer the question of why Júlia Szendrey’s figure, bitterly attacked in the nineteenth century, became so attractive in the eyes of the authors of the first decades of the twentieth century, and how they created a myth around her that still persists today. Why and how did Júlia Szendrey, considered as masculine in the nineteenth century, become a symbol of the emancipated, modern female by the early twentieth century? Why was she considered the ‘Hungarian George Sand?’ The articles published in Nyugat show Júlia Szendrey in various lights, incorporating several stereotypical female roles such as the muse, the writer’s wife, the bluestocking, the eccentric woman, the revolutionary woman, and the femme fatale. In doing so, they diverged from a discourse that only captured the image of an unfaithful widow who discarded the widow’s veil, and placed her into their modernist narrative, adapting her figure to the contemporary feminine ideal. Thus, the transformation in the image of Júlia Szendrey, which can be dated to this time, was based on two parallel processes: the change in the national discourse and the change in the female ideals of the time. Although nationalist narratives remained noticeably forceful, the progressive approach to women’s roles in society, coupled with the modern authors’ emphasis on their modernity and their orientation towards Western European culture. All of this sheds light on how the perception of (historical) time shaped the discourse of the authors on Júlia Szendrey, and how this view influences the perception and construction of her public image.hu_HU
book author / editor
dc.identifier.bookauthors
Szerk. Lászlófi Viola; Mravik Patrik Tamás; Oláh Gábor; Sidó Annahu_HU
Address Book
dc.identifier.booktitle
Atelier 30hu_HU
MTMT ID
dc.identifier.mtmt
31835879
Last Page
dc.identifier.lpage
348hu_HU
First Page
dc.identifier.spage
333hu_HU
Place of publication
dc.publisher.place
Budapesthu_HU
access
dc.rights.access
hozzáférhetőhu_HU
Class
dc.type.genre
publikáció/alkotáshu_HU
Type
dc.type.resrep
tudományoshu_HU
Author
dc.contributor.inst
ELTE BTK PHD/Történelemtudományi D. I.hu_HU
Keywords
dc.subject.hu
Nyugatosokhu_HU
Keywords
dc.subject.hu
Szendrey Júliahu_HU
Rent
dc.publisher.name
Atelier Interdiszciplináris Történeti Tanszékhu_HU
Type
dc.type.type
könyvfejezethu_HU


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Imázsképzés és időkezelés a Nyugatosok Szendrey Júlia-diskurzusában
 

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