Tudományos publikációk (BTK)50110 Tudományos publikációk (BTK)http://hdl.handle.net/10831/402024-03-28T22:38:12Z2024-03-28T22:38:12ZLost in Transition? Understanding Hungarian and Romanian 1989 Regime Change through Metalepsis and CollageDánél, Mónikahttp://hdl.handle.net/10831/1072902024-02-22T00:11:11Z2023-01-01T00:00:00ZLost in Transition? Understanding Hungarian and Romanian 1989 Regime Change through Metalepsis and Collage
Dánél, Mónika
This chapter analyzes how the mobile and decomposing devices of collage
and metalepsis create mnemonic forms for representing and rethinking the historical
legacies of the 1989 regime change. It does so through a comparative reading of a
Hungarian and a Romanian early post-transition text – the film Bolshe Vita (directed
by Ibolya Fekete, 1995) and Dumitru Ţepeneag’s novel Hotel Europa (1996). Considering collage and metalepsis as visual and narrative poetic modes for depicting 1989 regime change and transition, I outline the insights we can gain from conceptualizing the simultaneity of disparate temporalities. Through their poetics, the analyzed artworks perform the co-temporality of the non-opposing, diverse temporalities and incommensurable differences. As memory media they perform the regime change as a constant negotiating process of folding narratives, an overlapping of different political systems, and a constant transgression between past memories, social attitudes, habits, and imaginary futures. Therefore, they create an alternative, layered, non-linear vision, a temporal structure, and a memory form for the regime change and transition in postsocialist societies. Perceiving the postsocialist societies through this doubled lens, simultaneously framed by teleological narratives and interrupted by juxtaposition of multiple coexisting temporalities, even the revival of the authoritarian regimes and nationalistic narratives in our present acquires a denser historical context. The ‘backlash’ processes manifest how the juxtaposing aspect was obscured
in teleological narratives, how people who found themselves ‘stuck’ between regimes
were ‘forgotten,’ and how they are addressed by new totalitarian grand narratives.
2023-01-01T00:00:00ZFeminista-Queer narratológiai áttekintés és Kertész Imre: Kaddis a Meg Nem született gyermekért című regényeZsadányi, Edithttp://hdl.handle.net/10831/1072892024-02-22T00:11:01Z2023-01-01T00:00:00ZFeminista-Queer narratológiai áttekintés és Kertész Imre: Kaddis a Meg Nem született gyermekért című regénye
Zsadányi, Edit
2023-01-01T00:00:00ZArt of AnnotationMolnár, Gábor Tamáshttp://hdl.handle.net/10831/1072882024-02-22T00:10:59Z2023-01-01T00:00:00ZArt of Annotation
Molnár, Gábor Tamás
This paper aims to interpret the process of self-documentation in Péter Esterházy’s A Novel of Production (1979), an important Hungarian novel which utilizes extensive endnotes to link a parodic narrative to a body of fictionalized autobiographical commentary. Drawing on theories of play and self-reflexivity as well as critical studies on the history of annotation in nonfiction and fiction, the article presents the structure of Esterházy’s novel and elucidates some textual connections between seemingly disconnected parts. The interpretation focuses on a storyline involving the attempted signing of the fictionalized author, also a lower-league football player, by a club bigger than his current one. The article argues that this narrative demonstrates the intersection of several thematic levels and discourses within the narrative, including football, finance, politics and literature—and illustrates the way in which a complex reality is modeled by the intersections and mutual displacement of competing discourses or fields of play. In conclusion, the article considers the role of self-documentation and self-commentary in the process of semiotic modeling, and links Esterházy’s creative method to Greimas’s semiotic square.
2023-01-01T00:00:00ZAz új Európa nyelveiJózan, Ildikóhttp://hdl.handle.net/10831/1072872024-02-22T00:10:58Z2023-01-01T00:00:00ZAz új Európa nyelvei
Józan, Ildikó
2023-01-01T00:00:00Z